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Aliʻiōlani Hale and the Kamehameha Statue
THE KINGDOM'S GOVERNMENT HOUSE, AND ITS FOUNDER

Aliʻiōlani Hale and the Kamehameha Statue

A government building begun by Kamehameha V in 1872, the home of Hawaiʻi's Supreme Court today, and in front of it the gilded statue of Kamehameha I that arrived in Honolulu in 1883 after the first casting was lost at sea.

Photo: Coolcaesar, Wikimedia Commons, CC BY-SA 4.0

Home · Sights · Aliʻiōlani Hale and the Kamehameha Statue

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What you are looking at

Aliʻiōlani Hale and the Kamehameha Statue

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    The clock towerA tall central tower over the entrance, the building's landmark from King Street and the palace lawn.
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    The Kamehameha statueKamehameha I in gilded bronze, arm outstretched and spear in hand, on a stone pedestal before the steps.
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    The Judiciary History CenterA museum inside with a restored historic courtroom and exhibits on the courts of Hawaiʻi.
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    The Italianate frontAn arcaded facade in the Italian Renaissance Revival style, designed by the Australian architect Thomas Rowe.
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    The forecourt lawnThe open ground between the statue and the street, facing ʻIolani Palace across King Street.
The clock tower of Aliʻiōlani Hale, seen from below between palms
The clock tower of Aliʻiōlani Hale, seen from below between palmsGage Skidmore from Surprise, AZ, United States of America, Wikimedia Commons, CC BY-SA 2.0
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The sight in full

Reading the place

Why it matters

Aliʻiōlani Hale, “the house of heavenly kings,” was the seat of government of the Hawaiian Kingdom, and later of the Republic of Hawaiʻi, and it houses the Hawaiʻi State Supreme Court today. It stands on King Street directly across from ʻIolani Palace, and in front of it stands the gilded statue of Kamehameha I, the conqueror who founded the kingdom and by 1810 had brought all the main islands under one rule.

Aliʻiōlani Hale from King Street, the Kamehameha statue in front
Aliʻiōlani Hale from King Street, the Kamehameha statue in frontGage Skidmore from Surprise, AZ, United States of America, Wikimedia Commons, CC BY-SA 2.0

The two belong to the same story. The building was the working center of the kingdom's government; the statue was ordered to honor its founder; and in 1893 the building was at the center of the events that ended that kingdom.

A palace that became an office

The building was designed by Thomas Rowe in the Italian Renaissance Revival style, first as a royal palace for King Kamehameha V, whose own given names included Aliʻiōlani. But the kingdom's government was working out of a scatter of small, cramped buildings, and the king decided it needed offices more than he needed a palace. He laid the cornerstone on 19 February 1872 and ordered the building finished as a government house.

The gilded statue of Kamehameha I before the tower of Aliʻiōlani Hale
The gilded statue of Kamehameha I before the tower of Aliʻiōlani HaleFrank Schulenburg, Wikimedia Commons, CC BY-SA 4.0

Kamehameha V died before it was complete, and King Kalākaua dedicated it in 1874. Newspapers of the day called the design extravagant and suggested it be turned back into a palace. Until 1893 it held most of the executive departments of the kingdom, as well as the legislature and the courts.

In 2005, researchers used ground-penetrating radar to locate the time capsule Kamehameha V had buried under the cornerstone, holding photographs of the royal families, the kingdom's constitution, stamps, coins and newspapers. It was left where it lies, so as not to damage the building.

The building in 1893

Aliʻiōlani Hale and the Kamehameha statue across the lawn
Aliʻiōlani Hale and the Kamehameha statue across the lawnRadosław Botev, Wikimedia Commons, CC BY 3.0 pl

In January 1893 the armed supporters of the Committee of Safety occupied Aliʻiōlani Hale and waited there for Queen Liliʻuokalani's response to their ultimatum; the Committee then proclaimed the end of the monarchy and the start of a Provisional Government. After the Republic of Hawaiʻi was declared in 1894, the legislature and other offices moved across the street into the palace, and Aliʻiōlani Hale became mainly a courthouse. The full account is on the kingdom page.

The territory outgrew it. In 1911 the interior was gutted and rebuilt to a new plan better suited to courts, and in the 1940s a wing was added in a style meant to blend with the original. Over later decades most state courts moved elsewhere, leaving the Supreme Court and the administration of the judiciary.

The statue and the shipwreck

Aliʻiōlani Hale behind its royal palms
Aliʻiōlani Hale behind its royal palmsFarragutful, Wikimedia Commons, CC BY-SA 4.0

The statue began in 1878, when Walter M. Gibson, a member of the government, proposed a monument for the hundredth anniversary of Captain Cook's arrival in the islands. The commission went to Thomas R. Gould, a Boston sculptor working in Florence. Gould had little to go on: an engraving of an elderly Kamehameha and photographs of Polynesian men. Studying Roman sculpture in Italy, he gave the king the stance of a Roman general, with the gesturing arm, the spear and the cloak. The sash at the waist stands for the sacred sash of Līloa.

The front of Aliʻiōlani Hale, with the statue on its round lawn
The front of Aliʻiōlani Hale, with the statue on its round lawnDon Ramey Logan, Wikimedia Commons, CC BY-SA 3.0

The first casting, made in Paris in 1880, went down with its ship near the Falkland Islands. It was insured, and a second casting was ordered. Then Falkland Islanders recovered the original and sold it to a sea captain, who brought it to Honolulu. That first statue, repaired, was sent to Kamehameha's birthplace in Kohala on Hawaiʻi Island. The second casting arrived in Honolulu on 31 July 1883, and it is the one that stands here.

A third casting was made when Hawaiʻi became a state and was unveiled in 1969 in the United States Capitol, where it stands in Emancipation Hall. So the king appears three times from one model: in Kohala, in Washington, and here on King Street, the only one of the three in Honolulu, where he kept his court for a few years from 1809.

What you see

The Kamehameha statue and the arcaded wing of Aliʻiōlani Hale
The Kamehameha statue and the arcaded wing of Aliʻiōlani HaleDaniel Ramirez from Honolulu, USA, Wikimedia Commons, CC BY 2.0

From the palace lawn, the building reads as a long arcaded front of two stories, with a clock tower above the central entrance. The statue stands on its pedestal in the forecourt, gilded and dark, facing the palace. Inside, the King Kamehameha V Judiciary History Center has a restored historic courtroom and exhibits on the history of Hawaiʻi's courts and landmark cases.

Every year on or near 11 June, King Kamehameha Day, the statue is draped with long lei made by hand, and people come to see it. It is a ceremony, not a photo backdrop; stand back while it is under way.

How to visit

Kamehameha I in bronze and gold leaf, arm outstretched
Kamehameha I in bronze and gold leaf, arm outstretchedGage Skidmore from Surprise, AZ, United States of America, Wikimedia Commons, CC BY-SA 2.0

The statue and the front of the building can be seen at any time from the street and the forecourt, and the view is best from the palace side of King Street. The Judiciary History Center welcomes visitors on weekdays; check its own page for the days it keeps and for group tours, which are arranged by reservation. The building also holds the largest law library in Hawaiʻi.

Combine it with the palace across the street, the State Capitol and Washington Place behind it, and Kawaiahaʻo Church a short walk east. Getting around explains the buses from Waikīkī.

Honest notes

Kamehameha I, in gilded bronze, before Aliʻiōlani Hale
Kamehameha I, in gilded bronze, before Aliʻiōlani HaleGage Skidmore from Surprise, AZ, United States of America, Wikimedia Commons, CC BY-SA 2.0

On the television series Hawaii Five-0, Aliʻiōlani Hale stands in for the headquarters of the task force and is called ʻIolani Palace; the real palace is the building across the street. And the statue is an artist's idealization, made by a sculptor who never saw his subject and worked in Italy from an engraving; it is a monument, not a portrait.